Movies : : Lists : : NETFLIX : : Page 1 : : Paste. Here, we’ll point it out before you can: The best documentaries on Netflix are mostly assembled from movies released after 2. Whether due to licensing fees, a lack of interest or both, Netflix continues to substantially scale back on its pre- Y2. K catalog, featuring only 3. Millennium, and a whopping 1.

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Perhaps unsurprisingly, the service has also within the past year or so purged its once- thick 3. The Act of Killing, Liz Garbus’s Girlhood, Muscle Shoals and Grizzly Man. It may not be the selection many of us want, but this apparently is the selection we deserve. One thing Netflix does well is bring the latest and most groundbreaking in critically lauded documentary films to the service, be it Oscar shortlist choices like The Witness and Netflix’s own must- see 1.

One person was killed and a boy, 12, shot in the groin after an apparent drug-related shooting inside a Starbucks. Fox 5 NY, New York News, Breaking News, weather, sports, traffic, entertainment. The discography of American rapper Fat Joe consists of ten studio albums and twenty-two singles, as well as other artists' singles in which Fat Joe did a guest.

Ross brothers’ Western, or their championing of such semi- obscure essentials as Biggie & Tupac and Pumping Iron—not to mention their rich collection of Netflix Originals, such as Casting John. Benet (one of our favorite documentaries of 2.

Amanda Knox. One would be remiss in ignoring the many titles by Werner Herzog Netflix continues to make available too. If you’re looking to watch documentaries or find new documentaries, there is still plenty to find here. For other genres and types, check out Paste’s many, many Best Movies lists, and then make your way through the following. Can you handle the truth?

Nintendo’s Reggie Fils-Aime on the first year of Switch and beyond. Talking with some fans, Riker himself, Jonathan Frakes, who also took a turn in the director’s chair for an episode of Star Trek: Discovery, shared an interesting.

Find out with the 5. Best Documentaries currently streaming on Netflix: 5.

Miss Sharon Jones! Year: 2. 01. 6 Director: Barbara Kopple. In 2. 01. 3, Sharon Jones was diagnosed with Stage 2 pancreatic cancer—in itself a depressing development, but not without a lot of optimism attached to the prognosis. Except for a by- the- book opening segment, in which director Barbara Kopple seems to grind through all of her blandest tendencies to make room for the grist of what’s important, the film filters Jones’s life and career through her illness. We meet Jones’s band, the Dap- Kings, through that lens, getting to know each musician in light of how their friend’s illness has unfortunately affected their livelihoods. They have mortgages and alimony to pay, children to support, a record label to run.

That all of this, already precariously balanced due to the nature of the music- making business, is so dependent on Jones’s health becomes a shadow hanging over every interview. When band practices are occupied by 1.

Jones to get back into her groove or helping the singer remember the lyrics to her songs, Kopple’s film is heartbreaking, walking that tragic line between hopelessness and optimism, encapsulating so clearly what it’s like to be close to someone who’s so sick. But the real thrill of Miss Sharon Jones! Kopple letting Jones’s performances, old and new, suffice as the best testament to the singer’s power and—unbeknonwst to anyone at the time, though the thought must have crossed their minds incessantly—the most immediate eulogy we’ve got. If you ever had the chance to behold her on stage, then you know how exhilarating she can be. If you hadn’t? Despite recent tragedy, Kopple has some seriously life- affirming stuff you need to see.

Dom Sinacola. 49. The Wolfpack Year: 2. Director: Crystal Moselle.

Imagine a small, dingy Manhattan apartment; imagine you can’t leave; and imagine: The only contact you have with the outside world is through movies. Growing up like this, anyone could imagine that things could get pretty weird—and the Angulo family, a literal band of brothers raised in isolation by their paranoid parents, are indeed an interesting bunch. Their only outlet for creativity, undertaken as a way to basically stave off boredom, is to recreate their favorite films (like Reservoir Dogs, The Dark Knight and The Grand Budapest Hotel), crafting costumes out of cereal boxes, yoga mats and whatever other resources they can get their pale hands on. In The Wolfpack, director Crystal Moselle has nearly unlimited access to the Angulo brothers; at one point they inform her that she is the only person who has ever been invited over to their home, and is the only guest they’ve ever had. Sad and strange, funny and touching, powerful and unsettling, it is so wholly unusual, The Wolfpack may be like no truth you’ve ever seen before.

Brent Mc. Knight. Watch Online Watch Grave Walkers Full Movie Online Film on this page. Welcome to Leith Year: 2. Directors: Michael Beach Nichols, Christopher K. Walker. In a nondescript corner of America, members of a community of 2. Welcome to the small town of Leith.

A nice- enough stranger takes an interest in their town. He quickly buys up tracts of land and becomes one of the biggest stakeholders in the area. But Craig Cobb is not just a dowdy loner—he’s a white supremacist instigating an Aryan coup in the American heartland. What recourse do the locals have to oust the interloper?

The answer: shockingly, not much. Welcome to Leith poses the question of where tolerance and intolerance begin. How quiet do we get when the Dutton family espouses their beliefs as “white separatists” around their young children? How do we feel about individual rights when the will of that individual is essentially to terrorize a community and repurpose their homes for hatred? With an eerie sense of timeliness and excellent storytelling to match its ambitious themes, Welcome to Leith is a must- watch document of the unfettered feelings coursing through the veins of America right now that might just, someday soon, pull it apart from the inside. Monica Castillo. 47. No No: A Dockumentary Year: 2.

Director: Jeffrey Radice. If you’ve ever heard of Dock Ellis, then you know the story: in 1. Pittsburgh Pirates, he threw a no hitter (a “no no”) while high on LSD. It’s a great story, especially told from Dock’s point of view—replete with crucial tidbits about how the catcher wore tape on his fingers so that the tripping Dock could see the signals, or how the level of Dock’s intoxication wasn’t exactly a rarity—but that story is only one page in the much broader account of Dock Ellis’s iconic tenure on this earth. A true- blue weirdo with an admirable proclivity to give practically zero fucks (not to mention becoming, in retrospect, an unheralded civil rights firebrand), Dock was a man of both radical shallowness and progressive steadfastness—one of addiction, salvation, dedication and devotion. And the story went: In 1. Pittsburgh Pirates, Dock Ellis threw a no hitter while high on LSD—it was a sad reminder of how far out of control his life had swerved.

Dom Sinacola. 46. Keep On Keepin’ On Year: 2. Director: Alan Hicks.

Shot over the course of almost five years by debut director Alan Hicks, Keep On Keepin’ On pitches a genuinely heartwarming tale about positivity in the face of adversity, and the many divides—racial, cultural, generational—that music can help bridge. It’s ostensibly a biopic of legendary, 9. Clark Terry told via his mentorship of an affable, mid- 2.

Brent Simon. 45. What Happened, Miss Simone? Year: 2. 01. 5 Director: Liz Garbus. Liz Garbus’s What Happened, Miss Simone? Nina Simone’s mental health was the cause of her genius, rather than a factor that complicated it. But what saves the film, and what makes it engaging, is that I’m not sure Garbus wholly believes that thesis, because many moments in the film betray it. So even though there are times where Garbus elides aspects of Simone’s life and career to represent her decline as inevitable and linear (and even though she problematically chooses to use interviews with Simone’s abusive ex- husband to narrate Simone’s life), the parts of the film where Simone is allowed to speak for herself—from her diary, from interviews, while performing onstage—are utterly compelling. They portray an artist in the late- 1.

Black Power in a way that most contemporary popular musicians were far too scared to do.