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Media Rights Capital'Ozark' Was Most Popular Streaming Show This Summer, According To New Audience Metric. By Michael Schneider. A few months ago, a Netflix exec mused to Indie.

Wire that he was actually surprised that the streaming service’s viewership data hadn’t leaked out. Plenty of Netflix insiders know exactly who’s watching what, and when. Yet, the streaming giant has managed to keep its ratings under lock and key. Accurate data remains a mystery to even top- level Hollywood execs outside of the Netflix bubble. That’s starting to change, as more services chip away at the facade of Netflix ratings. Parrot Analytics has made headlines recently with its proprietary “Demand Expressions” metric, which looks at a variety of factors in determining a digital program’s popularity.

And according to a new study revealed exclusively to Indie. Wire, the Jason Bateman drama “Ozark” led the pack among all streaming shows over the past 9. Demand Expressions” measures audience demand for a title — including streaming, social media, blogging, file sharing, blogging, comments and other sources. The measurement is weighed by importance, which means a stream or download take precedence. As for the Parrot Analytics data, the company shared the top 1.

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United States over the past 9. Netflix easily dominates the roster. The sleeper hit “Ozark” actually topped the charts, while CBS All Access’ “Star Trek: Discovery” was No. Netflix’s “Stranger Things,” which remains popular even before the launch of Season 2.

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Hulu makes an appearance with Emmy winner “The Handmaid’s Tale,” but as has been discussed recently about the lack of buzz surrounding Amazon Prime’s programming, none of that service’s shows make the top 1. Visit the article at Indiewire. Ozark’ Renewed for Season 2. By Joe Otterson“Ozark” has been renewed for Season 2 at Netflix, Variety has learned.

Like the first, the second season will consist of 1. The series follows financial planner Marty (Jason Bateman) and his wife Wendy Byrde (Laura Linney).

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Without warning, Marty relocates the family from the suburbs of Chicago to a summer resort community in the Missouri Ozarks after a money laundering scheme puts him in the crosshairs of a Mexican drug lord. Bateman directed multiple episodes in addition to serving as an executive producer. Chris Mundy executive produced and wrote for the series.

Bill Dubuque and Mark Williams created the series and also executive produce. The series is produced by Bateman’s Aggregate Films in association with Media Rights Capital for Netflix. The series has received mostly positive reviews, with Variety‘s Sonia Saraiya writing: “ The taut thriller veers close toward storytelling pitfalls that other prestige dramas have made — strippers, money laundering, infidelity, a sex tape, bags of cash, barrels of acid — but deftly avoids falling into the bleak soup of bloated streaming dramas about a tortured male soul.

Ozark’ so carefully guides the audience through the story that it is one of the most compulsively watchable debuts of the year — a crime story that is part- thriller, part- caper, and endlessly surprising.”Netflix also recently renewed freshman comedy “GLOW,” which is a fictional account of a real all- female wrestling TV show from the 1. That renewal came on the heels of the cancellation of the drama series “Gypsy” starring Naomi Watts. Read the full article of Variety.

Baby Driver Zooming Past $1. M At Domestic B. O.

By Anythony D'Alessandro. The Edgar Wright- directed action movie ballet will break the $1. M threshold by tomorrow according to rival estimates.

Baby Driver, made by Sony/Tri. Star, Working Title and Media Rights Capital to the tune of a net production cost of $3. M, has been a breath of fresh air at a summer box office given its originality amid a litter of Nth franchise sequels, many of which have fallen short of providing any gas at the B.

O. (take your pick: Alien: Covenant, The Mummy, Transformers: The Last Knight, etc.). Baby Driver is a clear example of Sony Pictures motion pictures group chairman Tom Rothman’s mandate at the studio: Make ambitious, original fare at a reasonable price so that there’s plenty of upside. In addition, Baby Driver is a big win for Hannah Minghella’s Tri. Star Pictures. Much like Jordan Peele’s Get Out before it, what Baby Driver proves in this streaming age, is that audiences will drive to the multiplex to watch riveting, original, lower budget fare. Just because a film is considered niche and risky, doesn’t necessarily mean it should just be destined to home audiences. Watch I Give It A Year Megavideo. On the opposite end of the spectrum, we have another brilliant summer film like Netflix’s $5. M- plus budgeted Okja, which despite its grand launch at the Cannes Film Festival, isn’t continuing to generate great buzz because it’s been shackled to the small screen.

The way that Wright coordinates car chase sequences with punctuating sound and the rhythm of hard rock songs like Queen’s “Brighton Rock” or Jon Spencer Blues Explosion’s “Bell Bottoms” is something to behold on the big screen, not a 7. K television. Top this off with Ansel Elgort and Lily James’ smoldering chemistry, and you have a movie. Sony has been great about putting its below the line contenders out there during awards season, and Baby Driver should be in the mix.

Currently, Baby Driver is playing at 8. M this weekend (and if it doesn’t clear $1. M by tomorrow, then it will on Monday). In the pic’s seven weekend run, Baby Driver has averaged a - 3. Sony is currently planning to take the movie wide again during the weekend of Aug.

Worldwide, Baby Driver stands at $1. M. Sony started the engines on this movie back at SXSW with a marketing/publicity campaign led by Danielle Misher, EVP of Tri.

Star marketing. Baby Driver earned great reviews and slotted a 1. Rotten Tomatoes score before opening, and leveraged that in their trailers. Damon Wolf, the head of creative advertising for Tri. Star, led the charge on creating the high octane, retro- style promos for the film with colorful vintage design posters and award- winning million- plus- view trailers (Best Action Trailer at 2. Golden Trailer Awards). From the onset, Baby Driver has been Wright’s highest grossing title of his career both on an opening and running total basis.

He hatched the feature from an idea he formulated years ago. Originally, the industry saw a $2. M take for Baby Driver in its five- day opening, but the pic trumped expectations during an Independence Day stretch with $2. M, and $3. 9M in its first week of release. According to Com. Score/Screen Engine, Baby Driver, rated R, drew mostly males at 5.

Read Full Article At Deadline. Breaking Bad Fans Have Found Their New Fix In Jason Bateman–Starrer Ozark. Rotten Tomatoes By Andrea Reiher August 4, 2. Have you heard about Ozark? It’s Netflix’s latest original drama, and after a somewhat quiet debut on July 2.

The series, which currently has a 6. Tomatometer, stars Jason Bateman as Marty, a financial advisor who has been laundering money for a drug kingpin. When his partner is caught cheating the business, Marty uproots his family to move the operation to the scenic Ozark Mountain region of Missouri, where they struggle to fit into this brave new world. Fans are comparing it to movies like Pulp Fiction and No Country for Old Men, but the biggest comparison it’s getting on social media is to the Bryan Cranston Emmy- winner Breaking Bad. But the show is more than standing on its own, with fans praising the writing and direction. Bateman actually directed four of the 1. Watch Beastly Online Hulu more.

Fans are on board for this darker, twistier Bateman, who in recent years has mostly been known for his work on Arrested Development — and some fans enjoy imagining that Marty is really just bizarro Michael Bluth. Fans are expecting Bateman and the show to get at least one (if not several) award nominations for its writing, acting, and directing.

Emma Swan Once Upon a Time Wiki. Upon return to Storybrooke, Emma reenters the diner from the entrance, putting on a cold mask towards her confused family and friends. Seeing Mr. Clark wearing her trademark red jacket, Emma callously questions who he is supposed to be, and out of annoyance, she turns him to stone.

Regina threatens to fulfill what Emma asked her to do if she ever went too far, but Emma reveals she has the dagger now. To keep Hook's secret under wraps, Emma lies to the group, professing she will punish them for what they did to her. The Dark Swan", "The Price", "Broken Heart")Hearing Henry summon her, Emma magically appears at the dock, where she warmly greets him and moves to touch his hand, but he pulls away. Recalling what she had said last night, Henry apologizes for failing her, but Emma assures him that she meant everyone except him. Regina approaches, telling her to get away from her son, while Emma coolly stands her ground. When Regina questions her about the memory wipe, Emma admits she removed those memories for a reason, causing Regina to vow that she will retrieve them no matter what.

However, Emma confidently points out it's impossible as she built new curse to be unbreakable since there's no savior to undo it. Later, Emma appears before Hook, who accidentally calls her, before she whisks him to the front of her new house. She invites him in, playfully stating that they can still be together, and gives him a drink. He has other ideas, however, and kisses her. Much to his despair, true love's kiss doesn't work on her, but Emma insists it failed because she doesn't need fixing as she has accepted who she is now. Hook refuses to accept this and asks what happened in Camelot, though Emma dances around the question, citing that it'd be no fun to give him a straight answer. She tries to charm him into staying, but Hook leaves.

That night, Regina confronts Emma about the fury that has kidnapped Robin because of an unpaid price of magic, asking her to call the creature off, but Emma reveals Regina is the one who didn't pay the price. With growing agitation, she challenges Regina to be the savior and do what needs to be done. After Regina defeats the fury and the townspeople are having a night out at the diner, Emma watches from across the street before leaving.

At home, Emma sees Rumplestiltskin, who tells her that her weaknesses, such as her need to protect her loved ones, will always hold her back, as they did with all the other Dark Ones that came before her, but she can snuff out the light. He leads her to the basement, where Excalibur is buried in the stone, tempting her to unite the sword with the dagger to be rid of any hope of light inside her. Emma attempts to pull the sword out, only to be thrown back by a barrier, as Rumplestiltskin cackles that she must pay a price first before extracting the sword. The Price")In the mines, Emma surprises the dwarves by stealing Happy's ax, which she uses to try and unearth Excalibur from the stone, but instead, it breaks the ax. Prompted by Rumplestiltskin, she sets out to find a certain hero to pull it out.

Somehow, Emma discovers Belle is making a healing spell to wake Mr. Gold, but the last ingredient must be something that once touched him when he wasn't the Dark One yet. Suspecting Hook may have it, Emma orders a takeout from Granny's with a note asking him to meet her on his ship. Below deck, she apologizes to him for how she behaved last time and asks him to have lunch with her. In an instant, Emma magically sets up their meal and changes herself into the same dress and hairstyle she had on their first date. As the ship sets sail by Emma's magical influence, Hook gets straight to the point, asking what is behind the door in her house. When she doesn't answer, Hook notes she is not the old Emma, as the person he knew didn't play games.

Emma affirms she is better as the Dark One, free of her past closed- minded and judgmental personality, and suggests they can move forward together if he is willing. Hook is appalled at this, to which she exemplifies Mr.

Gold, who used to be a coward and didn't find true love until becoming the Dark One. Recalling that Hook told her about how Mr. Gold had groveled at him, Emma believes that Mr. Gold became better after the change. Hook owns up to being the villain in that situation, and he explains how he had pointed a sword at Mr.

Gold, who was a good man trying to keep his family together, and becoming the Dark One made him evil and manipulative, while Hook himself changed for the better. Emma changes the subject, taking the sword, and tries to remind him of how she taught him to swordfight in the alternate reality. Tired of her games, Hook calls her out for wanting something from him.

She asks if he loves her, promising to leave if he doesn't, but he states he loved her, causing her to depart shortly after. When Mr. Gold is close to waking from his coma, Emma kidnaps him to her house basement, where she crushes the sword over him to complete the healing spell. Once he awakens, she reveals her plans about making him a hero.

Siege Perilous")While in her home basement, Emma twirls a middlemist rose in her hand, while an imprisoned Mr. Gold tries to sympathize with her about knowing what the darkness feels like.

He insists she needn't give into it and should set him free, but Emma reasons that he is the only one who can get the sword for her. He has doubts about being the hero she wants, though she hints there is a secret weapon to help him become that hero. She then goes to her car that is hidden in a tunnel, where she approaches Merida, who is tied to the front of the vehicle. After magically undoing Merida's binds, Emma rips out her heart, commanding the redhead to fetch her bow from the car. Emma then explains her plan to have Merida make a coward brave. The Broken Kingdom")Afterwards, Emma returns to free Mr.

Gold, who continues to try and persuade her out of her plan, warning that no matter how good her intentions, she'll always lose her loved ones in the end. Emma considers his words for a moment, before ordering Merida to take Mr. Gold into the woods to begin making him a hero, as she herself enters a nearby shed, which is filled with hanging dreamcatchers.

Taking down one particular dreamcatcher, which belongs to Violet, she clutches it to her chest and cries. Hoping to amend what she did to Violet six weeks ago in Camelot, Emma purposely releases the girl's horse, Nicodemus, so Henry can find it and earn Violet's admiration. Instead, Henry seeks Emma's help to track down the horse, while she remains unaware he is deliberately distracting her, giving Regina and the others time to search her house. Upon entering the yellow bug, Henry tells Emma about how he won over Violet with Yaz's "Only You", the same song Neal had used on Emma. Learning Nicodemus likes pumpkin, Emma takes her son to a pumpkin market, Peter Peter's, where the horse is hiding. With some patience from Henry, the horse calms down, allowing the boy to grab its reins. That night, Emma turns up on Regina's doorstep, asking to see Henry.

Regina confronts her about what she did to Violet, and when Emma expresses anger at her unearthing the truth, the brunette considers that anything with the Dark One is always a manipulation. Emma argues she took Violet's heart with good reason, to which Regina compares her to Cora, who did horrible things with "good reason". Emma insists she didn't have a choice, though Regina recalls Emma has said many times there is always a choice. Pushed to her limit, Emma reveals it was the only way to free Merlin. Regina then questions why she is still the Dark One if they freed the sorcerer, but Emma refuses to say and instead asks again for Henry.

Regina refuses, closing the door, and as Emma walks away, she stops to look at the second floor window, where Henry briefly meets her gaze before closing the curtains. Dreamcatcher")Once Merida has pushed Mr.