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Helix Amp Model Gallery - Real Controls vs Invented - Helixhttps: //soundcloud. Silvertone 1. 48. Mail Order Twin) (only Helix)No Master, No Presence, No Mid. The Silvertone 1. Danelectro for Sears and sold under the Silvertone brand. These amps have recently surged in popularity because of their use by Jack White, Beck, and anyone else who wants great tone. The smooth drive to hard crunch will please just about any guitar player out there.

They’re dynamic but also have this different vibe that encourages experimentation and creativity. The sexy, cold war era styling is just the beginning. It has become the in- demand Silvertone amps of the& amp; nbsp; current era.

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Onstage and in the studio, the awesome and unique tube sound of the 1. L6. GC Power tubes) amp boasting "clear, mighty sound!"& amp; nbsp; The catalog listing advertised this amp for guitar or bass usage (Frequency response 4. K Hz)., and had all the amenities you could want in a medium sized (and priced) package: reverb, tremolo, two channels (bridgeable for even MORE crunch!), two matched 1. Jensens Special Design (C1. Watch Online Watch Heart Of The Country Full Movie Online Film more. Q). Some great sound hiding under that mild- mannered exterior. CG7 of 6. FQ7. V3 (which is a 6. Showtime Full Varsity Blues Online Free more.

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CG7 cathodyne PI). A lot of the characteristic sound of these amps comes from the phase inverter. These amps are famous for their nice smooth overdrive but they’ve also got a sweet clean tone at lower volumes. Introduced: 1. 96. Retired: 1. 96. 7- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Mesa M9 Carbine (Cali Bass) - Bass Amp (only in Helix)No Presence.

Voice. The punch, clarity and speed on- demand attack and crystal- clear definition of the M6's Trans- Class™ All- Tube preamp and MOSFET power. They love that it's easy to dial and yet offers all the versatility they need via the power of the rotary VOICE feature. The next step in the evolution of this dynamo was obvious. Add substantially more power and endow the preamp …enter the M9 Carbine.- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Mesa Bass 4.

Cali 4. 00) - Bass Amp (only in Helix)No Presence. Channel 1. Channel 2.

Watts @ 2. Ohms, All Tube, Class A/B Power / 1. L6, 4x. 12. AX7. Two Channels. Fixed Bias. Pull Shift Bass & amp; amp; Treble Controls (Standard Mid Control)CHANNEL ONEVolume 1 offer a high headroom preamp that you might find preferable for active type basses.

The gain is slightly lower than Channel 2 and the tonal personality is slightly different. The Pull Bright switch built into Volume 1 can be great for funk bass, as it accentuates the harmonics above the Treble control region.

CHANNEL TWOInput 2 and Volume 2 recreate the classic sounds of the D- 1. The gain is slightly higher and may be better suited for traditional basses than Channel One. But be certain to sample both channels because their tonal personalities are both very usable with very interesting differences. It is even possible to preset the two channels. TONE CONTROLSuses traditional type tone controls which have been especially tailoredfor bass, and whose ranges can be extended by use of the “Pull Shift” switches. The Treeble control, when set high, becomes the most powerful of the three.

At settings of 7and above it will minimize the effect of the Bass and Middle, but they will become the stronger controls when the Treble is below 5. Most players find a “sweet spot” between 2 and 5 where the tonal balance is just right for them. Pulling out the Treble Shift alters its frequency center point downward, toward the upper mid range. And since there is more musical energy at these frequencies, your amp will seem to get a little louder as well.)Using either Bright switch injects an extra dose of high treble. The Bass control is wide ranging and using the Pull Shift can boost its power. Your Bass when used with our speaker cabinets) can produce more true fundamental tone than just about anything else. Its bottom end response is truly "profound" and yet it avoids boominess and muddiness.

The Middle control is the subtlest of the three. Its purpose is filling the gap between the treble and bass frequencies. Spice according to your liking.

MASTERFull undistorted power is developed at settings around 5. There is rarely any reason to run the Master above 6 or 7, as higher settings merely increase noise without improving power or tone.- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -Matchless DC3. Matchistick) (only Helix)No Presence, No Mid, Tone, Cut. Power: 3. 0 Watts. Controls Ch. 1: Volume, Bass, Treble.

Controls Ch. 2: Volume, Tone, Cut control, Bypassable master volume. Power Tubes: 4 x EL8. Preamp Tubes: 1 x EF8. AX7. Rectifier Tube: 1 x 5.

AR4. Features: Dual inputs for each channel, Effects loop. Speaker Configuration: Customized Celestion G1. H3. 0 and Celestion G1. M Greenback. The DC- 3.

Thirty very conservatively rated watts from a quartet of EL- 8. Pure “Class A” configuration gives rich, complex harmonics whether played clean, mildly overdriven, or with all out power tube saturation. This means you should sound great in any situation, in any music style. Similar to AC3. 0 without breaking, Channel 2 similar to AC1. A long list of musician designed features includes: highly interactive tone controls and circuitries unique to each channel, bypassable master volume, cut control for high frequency shaping.

The preamp sections are based on a layout of two 1. AX7’s in Channel 1 and one EF8. Channel 2. The two 1.

AX7’s in Channel 1 create a parallel- triode circuit with interactive bass and treble. The one EF8. 6 in Channel 2 consists of a high- gain pentode coupled to a six- position tone switch. Outright benefits include quick dial- in of new tones and an easy return to the settings you prefer. Also “high treble” cut control, master volume, with a bypass feature that offers flexible control of the power amp section.

The power amp is fed by a 1. AX7 phase inverter, which drives four EL8. The rectifier circuit gives you the flexibility of using one 5.

AR4 for a quick attack or you can use two 5. V4’s for a smooth, round response. Sound on the 2. 12 Combo is delivered through two dissimilar Celestion speakers: a G1. H3. 0 and a Greenback 2. MATCHLESS formula. An AC3. 0 that wouldn’t break down,” the DC3. These EL8. 4- based class- A beauties are entirely hand- wired in the lauded point- to- point style, and deliver classic British chime, shimmer, and crunch, but with a certain modern clarity and fidelity and a bulletproof robustness relied on by countless pros.

Bolted into one of Matchless’ rare exotic- wood cabs, they look awful sweet, too. Channel 1. Channel 2. Channel 1 + 2 Jumped: Line 6 add and extra channel Channel 1 + Channel 2 Jumped.

What is jumping channels?: On an amp with more than one input for each channel (eg Hi and Lo) you use a short lead to go from the unused input of the channel your guitar's plugged into, over to one of the inputs for the other channel. Standard practice on a non top- boost AC- 3.

By combining the 'normal' and 'bright' channels you get a wider range of sounds. Settings. pdf- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Mesa Boogie Mark IV (Cali IV)(only Helix)Mesa Boogie Mark IV Combo de 8. Clase A ó Simul- Class (en función del tipo y disposición de las válvulas de potencia puede entregar también 7. Mesa Boogie Mark IV Un altavoz Celestion C9.